'A jaw-dropping investigation' - THE BOOKSELLER 'Succeeds brilliantly in dismantling casual assumptions about the drudgery of cleaning' - THE GUARDIAN 'A great book, well researched, funny and poignant. I loved it.' - KIT DE WAAL Dishing the Dirt tells the jaw-dropping stories of London's house cleaners for the very first time. We hear from immigrants who clean suburban family homes to butlers who manage the homes of the super wealthy, and from joyful cleaners and entrepreneurs to escaped victims of human trafficking. Then there are women who dust nude and male cleaners who have to fight off wandering hands. And the crime scene cleaners. With the revelation of Maid by Stephanie Land and the cleaning tips of Mrs Hinch's Hinch Yourself Happy, Dishing the Dirt will turn all of your assumptions about cleaners upside down. About the Author Nick Duerden is a writer and journalist whose work has appeared in The Guardian, the Sunday Times, the Daily Telegraph, the i paper, and GQ. His books include Exit Stage Left, Get Well Soon: Adventures in Alternative Healthcare, A Life Less Lonely, and The Smallest Things. He lives in London with his wife and two daughters. Extract Prologue. Clocking On It was as if she were invisible, like she wasn't even there. Or, perhaps more accurately, like she didn't really count, not in any tangible sense, this mostly silent domestic cleaner with the broken English whose back was perpetually stooped over the vacuum cleaner, the dustpan and brush, the damp mop; someone who likely knew her way around the utility room better than the homeowners themselves. Today, the wife was away on business, as she frequently was, but the husband wasn't here alone. The marital bed was not empty. 'A different woman,' she says. 'Younger.' And he didn't hide this from you, wasn't embarrassed, ashamed of parading his affair so brazenly under your nose? She shakes her head, and smiles tightly. 'No,' she says. 'No.' She was seemingly in his confidence, then, but not through any prior agreement, a finger to the side of the nose, and nor was he paying her for her silence, her implicit complicity. 'I don't think he even considered me,' she says. 'Or my reaction.' She was merely part of the furniture, a once-weekly presence in the house who mutely got on with her work as she always did, over three floors, three bedrooms and two bathrooms: the vacuuming, the polishing, the dusting... ... In the 1980s, both husbands and wives were now required to go out to work, to pursue careers. This left little time for domestic upkeep... There was no shortage of willing char ladies. In the 21st Century, we are willing to delegate more, specifically to pay others to do the work we'd rather not do ourselves, even if we cannot really afford it. A wave of cheap immigrant labour entered the UK between 2000 and 2020, especially from the new EU member states in eastern Europe. Better to pay a Magda from Poland, say, GBP30 a week to run the Hoover around the house for a few hours than to save the money for a rainy day. ... Those that clean for Londoners are a silent army. They bring order to our lives, they put out the bins, and relieve us of at least some of the myriad pressures of modern life. They are privy to our indiscretions, our peculiarities, our curious habits. They put up with us, which isn't always easy because some of us are complicated souls. But who are the members of these well-drilled regiments? What are their stories? Do they know that we talk about them when we are among ourselves-at dinner parties, at coffee mornings, at the school gates-and how much do we care that they, too, talk about us? If we are the prism through which they view their host nation, what conclusions do they draw? Do we make for decent employers, fair and kind, perhaps even generous? And if we are sometimes cruel, and talk down at them, why do we do that? Do we treat them fairly-or are they being taken advantage of? If we asked them, what would they say? Buy the book to continue reading

For fans of music books from David Hepworth, Pete Paphides, Bob Stanley and Craig Brown, as well as thought-provoking human interest stories like Moondust by Andrew Smith, and books by Jon Ronson, Louis Theroux and Stuart Maconie. Nick Duerden has spent many years interviewing the most famous musicians on the planet. Without exception, they are at their most interesting when they've peaked, and when they are on their way down. In many ways, this is when these former idols are at their most heroic, too, because they reveal themselves not only to be humane and sensitive, but also still driven to create, to fulfil their lingering dreams, to refuse to live quietly. Some sustain themselves on the nostalgia circuit. Others continue to beaver away in the studio, no longer Abbey Road so much as the garden shed. The desire for adulation is a light that never goes out. We live in a culture obsessed by the notion of fame - the heedless pursuit of it, the almost obligatory subsequent fallout. But what's it like to actually achieve it, and what's it like when fame abruptly passes, and shifts, as it does, onto someone else? These are tales of heroin addiction, bankruptcy, depression, divorce - but also of optimism, a genuine love of the craft, humility and hope. All of which makes EXIT STAGE LEFT a fascinating, laugh-out-loud funny and often shocking look at what happens when the brightest of stars fall down to earth. Featuring brand new interviews with the likes of: Bob Geldof, Shaun Ryder, Robbie Williams, Roisin Murphy, Stewart Copeland, Billy Bragg, Wendy James, Alex Kapranos, Joan Armatrading, Leo Sayer, Gary Lightbody, Lisa Maffia, Tim Booth, Bill Drummond, Rufus Wainwright, David Gray, and Justin Hawkins.

**A SUNDAY TIMES, GUARDIAN & TELEGRAPH MUSIC BOOK OF THE YEAR 2022** **INDEPENDENT BOOK OF THE MONTH** **GUARDIAN BOOK OF THE DAY** **FINANCIAL TIMES 'BEST SUMMER BOOKS 2022' PICK** 'Incredibly moving.' - Guardian 'Entertaining.' - Telegraph 'Most books about pop stars focus on the way we turn average human beings into demi-gods. In writing a book about how they have to turn back into humans Nick Duerden has done both us and them a service.' - David Hepworth 'Funny, poignant and often inspirational.' - Mat Osman The desire for adulation is a light that never goes out. We live in a culture obsessed by the notion of fame - the heedless pursuit of it; the almost obligatory subsequent fallout. But what's it like to actually achieve it, and what happens when fame abruptly passes, and shifts, as it does, onto someone else? This is the point at which pop stars are at their most heroic, because they don't give up. They keep on striving, keep making music, and refuse simply to ebb away. Some sustain themselves on the nostalgia circuit, others continue to beaver away in the studio, no longer Abbey Road, perhaps, so much as the garden shed. But all of them, in their own individual ways, still dare to dream. Exit Stage Left features tales of drug addiction, bankruptcy, depression and divorce, but also of optimism, a genuine love of the craft, humility and hope. This is a candid, laugh-out-loud and occasionally shocking look at what happens when the brightest stars fall back down to earth. 'Exit Stage Left is the book I've long wanted to read about the PTSD-like after-effects of pop stardom - and Nick Duerden is the perfect writer for the job. The pop star's bittersweet lot is represented with flair and empathy.' - Pete Paphides, author of Broken Greek 'Exit Stage Left is a funny and poignant book, drawing on Duerden's considerable experience as a journalist and interviewer . . . he understands what motivates this strange bunch of people.' - Andy Miller, Spectator 'Fame is the brightest candle, but in this brilliant collection of interviews, Nick Duerden answers the question: what does a candle do after it's burned out?' - David Quantick 'Duerden finds fascinating layers of humanity, pathos, humour and wisdom in equal measure. A brilliant book, for artists and fans alike.' - Frank Turner Featuring brand new interviews with the likes of: Bob Geldof, Shaun Ryder, Robbie Williams, Roisin Murphy, Stewart Copeland, Billy Bragg, Wendy James, Alex Kapranos, Joan Armatrading, Leo Sayer, Gary Lightbody, Lisa Maffia, Tim Booth, Bill Drummond, Rufus Wainwright, David Gray, and Justin Hawkins.

'The practical advice in this book is gold dust not only for lonely people, but for those who long to help them.' - Joanna Lumley Loneliness is an epidemic on the rise. It has long been documented that older people suffer from social isolation, but teenagers do too, likewise new parents, those with disability or illness, and anybody going through a significant life change. As more people work full-time, and we interact via social media rather than face-to-face, we need to stop and ask ourselves: what can we do to ensure all our futures are more connected and socially satisfying? This book will help to share stories of loneliness to increase our empathy and understanding of it, and to look for possible solutions. Using the research the Jo Cox Commission undertook following the MP's senseless death in 2016, it offers a wealth of practical advice: how to spot the symptoms in yourself and in others; how to ease them; how to seek help and, ultimately, how to understand this most fundamental of human emotions. Its aim is simple: to provide us all with the tools we need to lead kinder, more connected lives.

**A TELEGRAPH BEST MUSIC BOOK OF THE YEAR 2022** **INDEPENDENT BOOK OF THE MONTH** **GUARDIAN BOOK OF THE DAY** **FINANCIAL TIMES 'BEST SUMMER BOOKS 2022' PICK** 'Incredibly moving.' - Guardian 'Funny and humane.' - Telegraph 'Most books about pop stars focus on the way we turn average human beings into demi-gods. In writing a book about how they have to turn back into humans Nick Duerden has done both us and them a service.' - David Hepworth 'Funny, poignant and often inspirational.' - Mat Osman The desire for adulation is a light that never goes out. We live in a culture obsessed by the notion of fame - the heedless pursuit of it; the almost obligatory subsequent fallout. But what's it like to actually achieve it, and what happens when fame abruptly passes, and shifts, as it does, onto someone else? This is the point at which pop stars are at their most heroic, because they don't give up. They keep on striving, keep making music, and refuse simply to ebb away. Some sustain themselves on the nostalgia circuit, others continue to beaver away in the studio, no longer Abbey Road, perhaps, so much as the garden shed. But all of them, in their own individual ways, still dare to dream. Exit Stage Left features tales of drug addiction, bankruptcy, depression and divorce, but also of optimism, a genuine love of the craft, humility and hope. This is a candid, laugh-out-loud and occasionally shocking look at what happens when the brightest stars fall back down to earth. 'Exit Stage Left is the book I've long wanted to read about the PTSD-like after-effects of pop stardom - and Nick Duerden is the perfect writer for the job. The pop star's bittersweet lot is represented with flair and empathy.' - Pete Paphides, author of Broken Greek 'Exit Stage Left is a funny and poignant book, drawing on Duerden's considerable experience as a journalist and interviewer . . . he understands what motivates this strange bunch of people.' - Andy Miller, Spectator 'Fame is the brightest candle, but in this brilliant collection of interviews, Nick Duerden answers the question: what does a candle do after it's burned out?' - David Quantick 'Duerden finds fascinating layers of humanity, pathos, humour and wisdom in equal measure. A brilliant book, for artists and fans alike.' - Frank Turner Featuring brand new interviews with the likes of: Bob Geldof, Shaun Ryder, Robbie Williams, Roisin Murphy, Stewart Copeland, Billy Bragg, Wendy James, Alex Kapranos, Joan Armatrading, Leo Sayer, Gary Lightbody, Lisa Maffia, Tim Booth, Bill Drummond, Rufus Wainwright, David Gray, and Justin Hawkins.

It is easy to take for granted the things that are always around us, the people who are always there. And yet they often hold the keys to who we really are.; Nick Duerden's grandparents were always just . . . there. A mysterious yet unchanging presence, a source of dutiful visits, birthday cards and carefully preserved rituals: lunches, dinners and endless card games. ; But, as he enters midlife, and his 98-year-old grandmother enters a care home, he realises that, like so many of us, he should perhaps have paid more attention to her true worth years before.; As Nick goes in search of the secrets his late mother took to the grave, he finds it can be the smallest things that keep us together when so much is left unspoken. This is a memoir of the tiny dramas that fill all our lives, and a celebration of the special ties that can bind two intimately connected strangers. Tender and poignant, it captures the richness, and also the complexity, of family life.